-Ramphal Kataria
Vande Mataram — Between Emotion, History and Electoral Optics
Vande Mataram once united India against colonial rule. Today, it fuels political polarization. This analysis examines how nationalism, identity, and electoral optics have reshaped the meaning of a national symbol.
Summary
The current debate over Vande Mataram demonstrates a larger pattern in contemporary Indian politics — where symbols of national identity are increasingly instrumentalized rather than celebrated. Historically a unifying cultural artefact that influenced the anti-colonial movement, the song is now framed through the logic of majority assertion and identity verification. This transformation reflects a deeper ideological shift: instead of fostering citizenship rooted in constitutional values and shared belonging, political discourse now leans toward conditional nationalism where dissent, nuance, or alternative historical memory is seen as deviation. Such polarization pushes national identity away from inclusion and towards performative nationalism, diluting the pluralist ethos embedded in India's freedom struggle and constitutional foundations.
Prime Minister Narendra Modi’s decision to open the Lok Sabha debate marking 150 years of Vande Mataram was not merely ceremonial — it was political. The song, penned by Bankim Chandra Chatterjee in Anandamath (1875), played an undeniably important role in stirring revolutionary consciousness and energising India’s freedom struggle. Yet the moment chosen to spotlight it — alongside rhetoric targeting the Opposition and revisiting historical disputes — indicates that the commemoration is inseparable from the ongoing electoral calculations, especially with West Bengal entering a high-stakes election cycle. As The Tribune editorial aptly observed, Vande Mataram remains an emotive symbol — and therefore, a strategic one.
While the Prime Minister framed the song as a unifier, the political messaging beneath the celebration was unmistakably polarising — drawing upon religious identity rather than shared national memory. What should have been an occasion to acknowledge India’s plural past instead risked deepening ideological fissures.
Vande Mataram Controversy: Unity Lost in Electoral Optics
The political storm around Vande Mataram refuses to die down — not because the song itself is problematic, but because the context in which it is invoked has turned a symbol of anti-colonial unity into a partisan litmus test of nationalism. On its 150-year mark, the ruling establishment revived the debate inside Parliament, not as a cultural commemoration or civilizational reflection, but as a confrontational political device. The symbolism was deliberate: if Vande Mataram mirrors the emotional spine of India’s freedom struggle, then opposing or questioning its mandated use can be portrayed as morally suspect, even “anti-nation.”
Yet historically, Vande Mataram was never meant to be a coercive performance of nationalism. It belonged to a political moment where Indian identity was imagined as plural — linguistic, regional, religious — and united not by fear or conformity, but by shared struggle against colonial power. The spirit that animated the song was collective sacrifice, not majoritarian assertion.
Today, that shared moral vocabulary has eroded. Political actors weaponize national symbols to create ideological binaries. Instead of asking why the song mattered, the debate now focuses on who must prove loyalty by singing it, and who should be publicly shamed if they do not. With this shift, the question becomes: Is nationalism now a performance rather than a conviction?
A Consensus in History — Not a Weapon of Partisanship
It is important to recall that Vande Mataram became the National Song of India through consensus — not divisiveness.
On January 24, 1950, at the final session of the Constituent Assembly, Dr. Rajendra Prasad announced the formal adoption of Vande Mataram as the National Song. The declaration was collective, inclusive, and uncontested. Key leaders — Dr. B.R. Ambedkar, Jawaharlal Nehru, Sardar Patel, Maulana Abul Kalam Azad, KM Munshi, Alladi Krishnaswami Ayyar, H.C. Mookerjee, Sarvepalli Radhakrishnan and even Syama Prasad Mookerjee (now projected as an ideological forefather of the ruling BJP) — were part of that same national consensus.
The decision to adopt only the first two stanzas, originally sung by Rabindranath Tagore, was intentional. Tagore admired the poetic beauty and spiritual universality of the opening verses, yet expressed concern about the later sections — which closely link the nation to Hindu goddess imagery, specifically Durga, thus raising the potential for exclusion in a multi-faith nation.
Far from rejection, the accommodation demonstrated statesmanship and foresight: nationalism would unify — not alienate.
The Novel Behind the Song: A Political and Cultural Fault Line
Understanding the present debate requires revisiting Anandamath itself.
Bankim Chandra Chatterjee’s work fused revived Hindu religio-cultural identity with anti-colonial patriotism. Key ideological strands include:
Personification of the motherland as a Hindu deity (Bharat Mata), invoking Durga, Kali, Lakshmi and Saraswati.
Militant nationalism, calling for action rather than renunciation.
A Hindu cultural unity narrative, imagined as a unifying force against foreign rule.
However, the novel’s depiction of Muslims as oppressive rulers, contrasted with idealised Hindu ascetics, continues to provoke scholarly and political debate. Critics argue that the framing promotes a binary religious nationalism that did not reflect the socio-political realities of the 18th century. As historians note, the Sannyasi groups the novel glorifies were not nationalist revolutionaries but fragmented bands with diverse motivations — including resistance, survival and opportunistic plunder.
Bankim’s creative license served a purpose: constructing a mythic nationalist narrative during colonial rule. But contemporary politics repurposing this narrative as literal history risks converting literature into ideological artillery.
The Missed Opportunity
For decades, leaders like Maulana Abul Kalam Azad and Rafi Ahmad Kidwai defended Vande Mataram from communal mischaracterisation — not to diminish Hindu symbolism, but to protect national unity. They rejected Muhammad Ali Jinnah’s communal framing and insisted on shared ownership of the freedom movement’s heritage.
Today, however, the same song is used as a litmus test of patriotism, often to stigmatise disagreement rather than celebrate belonging. The BJP’s framing — particularly in Bengal — echoes a familiar pattern of cultural majoritarianism masquerading as nationalism.
This milestone could have been an occasion to highlight:
India’s civilisational plurality
The accommodative wisdom of the Constituent Assembly
The song’s role in collective resistance to colonial rule
Instead, it risks becoming yet another chapter in the politics of polarisation.
Conclusion
In a democracy, patriotism cannot be policed. National identity cannot be certified by a slogan or a song. India’s freedom struggle wielded Vande Mataram as a shared cry of resistance — but never as a tool to exclude. If modern politics continues reducing national symbols to ideological checkpoints, the cost will not be borne by songs or flags, but by the pluralistic idea of India itself.
Vande Mataram stands at the crossroads of memory, literature, nationalism and belief. Its legacy is rich — but also layered and complex. A mature democracy honours that complexity rather than flattening it into electoral messaging.
The 150-year commemoration should have strengthened the idea of India — many-voiced, plural, confident. Instead, it reveals a shrinking political imagination — one that chooses cultural fault lines over historical wisdom.
India deserved reflection.
It received rhetoric.
References
1. Bandyopadhyay, Sekhar. From Plassey to Partition: A History of Modern India. Orient Blackswan, 2015.
2. Chatterjee, Partha. Nationalist Thought and the Colonial World: A Derivative Discourse? University of Minnesota Press, 1993.
3. Guha, Ramachandra. India After Gandhi: The History of the World's Largest Democracy. HarperCollins, 2016.
4. Tharoor, Shashi. Inglorious Empire: What the British Did to India. Penguin Books, 2017.
5. The Tribune Editorial Board. “Vande Mataram: Unity Lost in Electoral Optics.” The Tribune, December 2025.
6. Lok Sabha Parliamentary Debate Transcripts, Winter Session 2025.